fbpx
Connect with us

Leader board

Specials/Features

How the Stanbic National Schools Championship is impacting education in Uganda

Published

on

When you play on Fortebet, you win big money.Play here.

Barbara Kasekende Corporate Social Investment (CSI) Manager at Stanbic Bank Uganda

Barbara Kasekende, the Corporate Social Investment (CSI) Manager at Stanbic Bank Uganda

By Our Reporter 

The 5th edition of the Stanbic National Schools Championship 2020 is still on-going with the theme ‘Empowering the job creators of tomorrow’. We spoke to Barbara Kasekende, the Manager Corporate Social Investment (CSI) at Stanbic Bank about the journey so far and what to expect this year.

1. The Championship has been running for the last four years now; has the program met the bank’s expectations?

It has definitely met our expectations and beyond! When we started this program our aim was to empower our young minds with a focus on Financial Literacy, Life Skills and Entrepreneurship to shape our future generation to be holistic job creators. We started with 32 schools in 2016 and today we are at 100 schools.

Over 100,000 students, 200 teachers and communities have been impacted by this project.

Over 400 businesses ideas have been generated with 50 businesses already on ground.

The aim is to create shared value in the societies and environment in which we operate by shaping the mindset and instilling a thinking out of the box mentality for both our youth and the teachers. For we believe that an empowered child/youth leads to the development and growth of this country!

2. Why have you retained the same theme for the last three years?

Uganda’s population today is about 45 million with 80% of the people under the age of 30. Of those, over 10 million are in the youth category of which only 11% make it into the employment/business world. So what happens to the rest?

As a responsible corporate citizen, we cannot stand by and watch the future generation dwindle to the current situation where unemployment is concerned. Hence the program theme of ‘Empowering the job creators of tomorrow’. The focus on entrepreneurship and life skills is to empower young people to relate to the new modern world. Uganda is our home and we can only drive sustained growth by empowering the future leaders and job creators of tomorrow.

It is also important to note that the traction towards the theme has been very positive. The programme has not only impacted the schools and students, but also the communities at large.

3. How different is the competition this year?

This year, we are increasing school participation from 72 to 100 and targeting 60,000 students up from 43,200 and training 100 teachers from the 72 that were trained last year countrywide.

We have also reached out to 100 head-teachers this year and taking them through a business and financial management program with a touch of self-development. We have realised that as we continue to skill the students and teachers we should also be doing the same for the leaders, so that they fully understand the type of student they have ( the 21 st century digital, tech saavy) and also understand that a school is a business entity that needs proper planning.

In line with our sustainability plan, we have also introduced a two-tier competition. The first-tier of the championship will be for the new business generation ideas as it has always been.

The second-tier will focus on the businesses on ground with the teams competing for more investments into their enterprises. All teams will get something for their businesses with the prizes ranging from UGX500, 000 to UGX3 million as we seek to ensure that the businesses stay grounded and functional.

In addition to the above, this year we are joining the world to battle climate change and food insecurity. Thus, in partnership with Roofings Limited, we are planting fruit trees in all the 100 schools– the minimum being 10 trees in each school however they can go up to 100. We are providing all the tree seedlings free of charge.

4. What changes have you made in light of the Covid – 19 situation?

The Championship is still going forward. Like any other programme, our activities had to be altered due to the situation. Since we cannot be in schools physically, we have had to turn to the use of digital platforms. We have been able to reach the teachers and students online as well as use other immediate avenues like our branches to encourage the schools to forward their business ideas.

For instance, we moved the boot camp to online sessions. We normally bring schools together for skilling sessions but because schools are closed, we had to improvise. We have been using the Stanbic Facebook live pages to continue skilling the students. Our skilling series are still on-going at the moment. The traction has been great and we have not only been able to skill the students but also been able to reach a much wider audience as well.

Additionally, we are using patron teachers to select the best businesses plan within their school which is submitted to compete at regional level. You will see we have also introduced business regional judges who will assess all regional business plans remotely to select the top four schools per region who will be tasked to each identify a business opportunity that can be executed during the COVID-19 lockdown period. They will be assessed by a panel of judges and awarded seed capital to execute the idea. One school per region will be selected to compete in the finals.

It is amazing how committed the schools are. They have been swift to adapting to the sudden change in execution of the programme.

5. What prizes should the winners of the championship look forward to?

We always say everyone who participates in this programme is a winner and that the focus shouldn’t be on the prizes, but on the lessons acquired through the nine months of the championship. However the teams work really hard so an incentive for appreciation is not a bad idea!

Prizes range from a fully paid trip to South Africa for the winning team to a three-day getaway at a five-star establishment for the 1 st runner up. Other prizes for the winning schools include a solar system worth UGX20 million, a UGX10 million water system, ipads, laptops, kindles, bursaries, scholastic materials and plenty more! Please note that patron teachers also benefit in all this. We value their time and efforts in helping us run this program in their respective schools.

6. In the call for entries, you referred to some of the United Nations Sustainable Development Goals (SDGs). How does the NSC tie into all this?

Our approach has been to invest in sustainable projects within the community. We believe in aligning our projects to the real issues affecting communities; thus our focus on the SDGs. That having been said, we have ensured that all our schools understand the value of National Schools Championship and its critical contribution to the SDGs.

At any rate the future of this country lies in their hands!

Under this CSI initiative, we align with eight SDGs: No Poverty, Quality Education, Clean water and sanitation, affordable and clean energy, decent work and economic growth, industry innovation and infrastructure, climate action and partnership. We reference the fight against poverty through the encouragement to create jobs, quality education in encouraging a wholesome curriculum in schools, clean water and sanitation through our provision of a water system for some of the winning schools, affordable and clean energy through the provision of a solar system for the winning school, decent work and economic growth through the programme itself and the creation of businesses, industry innovation and infrastructure by encouraging the schools to think beyond the classroom, climate action by playing a role in promoting renewable energy use and also planting trees to
preserve the environment.

As mentioned earlier, a fruit tree planting initiative is on-going in all the schools engaged this year. We have a target to plant over 15,000 trees across the country to tackle both climate change and food insecurity.

Lastly and most importantly, partnerships are a key factor among the SDGs for achieving positive scalable and impactful results. The National Schools Championship has evolved immensely, but for it to go to the next level, partnerships are a key imperative and you will see this year we have a number of partnerships on-board.

We started the partnership journey last year with the Mandela Group of Companies, Next Media Services, Uganda Christian University and International University of East Africa and we could not have made major strides without them. You will see that we have now on-boarded MTN, Vero Water, PWC, Roke Telkom, Century Bottling Company, Roofings, and PCB foundation.

With Stanbic Bank, IT CAN BE when we hold and guide our future generation’s to reach their full potential.

Loading...
(Visited 1 time, 1 visit today)

Celebrity Gossip

Pallaso ships in brand new ride

Published

on

When you play on Fortebet, you win big money.Play here.

By BigEyeUg Team

2020 is not really a bad year for multi-talented singer Pius Mayanja alias Pallaso as majority may have suggested.

The self-proclaimed sucker free boss is having such a triumphant walk despite a few hiccups sometimes.

After surviving a serious jail sentence last month, Pallaso has decided to match his glory with a new monster ride of Volkswagen Golf brand.

The pleasing news was first babbled by his young brother, Weasel Manizo via his Instagram as he congratulated him for another milestone this year.

Congz @pallasomusic 2020 isn’t that bad yet,” stated Weasel.

Despite narrowly surviving death for almost two times this year, Pallaso has been showered with notable success in regards to his music career.

One of his prime achievements is his recent signature under Sony Music Africa.

Congratulations Pallaso!

Loading...
(Visited 1 time, 1 visit today)
Continue Reading

Specials/Features

MCM: Meet Ray G, Western Uganda’s biggest music icon.

Published

on

When you play on Fortebet, you win big money.Play here.

Reagan Muhairwe popularly known as Ray G is a 28 year old Ugandan musician and songwriter based in the Western region. He was born and raised in Ishaka division, Bushenyi District and started singing while in his S3 and took on music professionally in his S6 vacation at an age of 21 after releasing his first single Amarari. He later released “enshazi” which took western Uganda by the storm and ever since then he has never gone back.

Unlike other artistes, Ray G has maintained his singing style where most of his songs are love themed and are always in his cultural language Runyankole and some of his songs include; Hihi, Eizooba, weshe, Nkaronda and many others.

However,he recently fell out with his management which was confirmed in an official statement released by his former manager Wavah Jay and the reasons to this are still unclear.

Ray G completed his high school in 2012 but did not make it to university due to his parents’ failure to afford to pay.He decided to concentrate on music a sacrifice he made for his siblings who were still in lower classes.

The melodious artiste also made his way to the top country wide after doing the “Omusheshe” collaboration with Spice Diana which gained airplay across the country.

Ray G celebrated 10 years in the music industry making history in Western Uganda after a successful live concert which was held on the 14th of September 2019 as the show was full to capacity by 8pm.

The Mbarara based singer surprised his fans on July 18, 2020 and got introduced by his fiancée Annabell Twinomugisha a TV presenter on TV West. The Introduction took place in Ntungamo at the home of Annabell’s parents a week after Ray G proposed to her.Their introduction pictures made rounds on social media and they were flooded with congratulatory messages.

Ray G and Annabel.

Loading...
(Visited 1 time, 1 visit today)
Continue Reading

Specials/Features

IMC expands its Mbale clinic with an In-Patient Department

Published

on

When you play on Fortebet, you win big money.Play here.

International Medical Center (IMC) launches In-Patient Department services at its Mbale Clinic.

By Our Reporter

International Medical Centre (IMC) announced the expansion of its Mbale Clinic with an In-Patient Department on Monday.

This expansion drive is aimed at increasing the healthcare services being offered by the clinic and ensure that the people of Mbale and the surrounding area have access to advanced, quality and best healthcare.

Joel Oroni, the General Manager of International Medical Centre says that through the IPD, they will now be able to admit patients with various medical conditions that require appropriate care and attention.

Besides admission, the clinic will continue to offer other services like treatment of minor procedures, general medicine, pharmacology, check-ups, laboratory and specialized tests (including DNA testing, antenatal screenings and services).

“We have equipped the clinic with beds, medical equipment, round the clock availability of dedicated team of professional and specialized medical doctors and nurse,” Mr. Oroni emphasized.

Andre Ackerman, the CEO of International Medical Group congratulated the IMC team upon this achievement and urged the staff to always have people at heart, be innovative and dedicated to ensure that they deliver quality healthcare that meets international standard and continue to be leaders of Uganda’s private healthcare sector.

Growth and Expansion

Currently, International Medical Centre is establishing new clinics, expanding into inpatient in some locations and relocating old ones to better premises to consolidate its mission to make quality healthcare affordable and accessible to all.

According to Joel Oroni, the IMC expansion and growth strategies are aimed at ensuring everyone has access to healthcare that meets international standards within the vicinity of their areas of residence.

“Our growth agenda is meant to bring better healthcare services to people living in communities outside Kampala, so that they do not have to travel long distances to seek quality treatment. Our objective is to have modern facilities with the good doctors and advanced equipment that can be accessed in their hometown” Mr. Oroni noted.

“Despite the covid-19 impact on the economy, IMC will continue with the planned expansion, improving and upgrading our services in the existing clinics and increasing our scope to cover a wide range of healthcare services. We also intend to step into the telemedicine space and maybe able to integrated clinics using technology to bridge the service provision gap and ensure easy customer reach and access to quality and improved primary healthcare service, an aspect that contributes to Universal Health Coverage goal,” Mr. Oroni added.

In-line with Group Strategy

According to Mr. Ackerman, International Medical Group is committed to improving the standards of Uganda’s healthcare through investing in advanced medical technology and service, innovation and offering tailor-made services that cater for the health need of the community, with specialized divisions that best serve that particular society.

“We are dedicated to providing exemplary and quality healthcare to all Ugandans regardless of their geographical location, a factor that sets us apart from other private health service providers. Our focus on clinical growth and expansion is compelled by our commitment to improve lives by bettering the services we provide since healthcare is constantly evolving, with new challenges and new remedies every day. I am proud to say, IMG is up to the challenge,” He said.



Loading...


(Visited 1 time, 1 visit today)
Continue Reading

Specials/Features

OPINION: Why Musicians need to register with the local CMO

Published

on

When you play on Fortebet, you win big money.Play here.

By David Tayebwa.

For the start, I would like to explain what a CMO means and why you should be part as a musician. From my experience in working and engaging with a number of musicians as a Music Industry Consultant, leader of Africa’s A&R and music Licensing firm (Opus Music Publishing Group) and as a music Copyright Expert & tutor, I found out that there are a few people that know about CMOs and what they contribute to the music industry.

In musical terms, CMO stands for Collections Managent Organization and in Africa, I can pick examples such as MCSK (Kenya), SAMRO and CAPASSO (South Africa), COSOTA (Tanzania), COSON (Nigeria) and in Uganda where we have Uganda Performing Rights Society (UPRS). I know that this name sounds familiar especially with the negative publicity that has been echoed through the media and rants about it’s Administration, however that will be another topic for the next time. My focus is to inform you the musician who needs to understand the niche that comes with registering to these organizations that can catapult your career to a higher level by using the knowledge and structures already put in place.

Back to the point, CMOs are bodies that are responsible for licensing music that is Distributed, performed or broadcasted to the public. In simple terms, take PROs to be like tax bodies that collect revenue from businesses and media for the music they play or reproduce to attract customers or earn revenue in some way. So after this body collecting music revenue(also known as Royalties), it distributes this money to musicians attached to it as registered members. Being a registered member is always a prerequisite in order to be able to receive the collected revenue. (Click HERE to know how to register with UPRS, Uganda)
I know you will ask yourself if that is the only reason why you should become a member, though am here to explain some of the other reasons why you should run to register with any local CMO other than just for royalties. You also need to know what other activities they conduct and what kind of rights they administer. There are Organizations that administer compositions while others work with Sound Recordings/ Masters or even one can administer both.

What else do they do?
Before we all reach at the level of giving you Royalties, these organizations conduct activities such as Registration of musical works, assigning identification codes, reciprocal representation, Catalog Administration and licensing. All these are processes they work on to get to collect that revenue which I think you should get to know and use to your advantage to professionalize your career. I will use UPRS for majority of my examples since I have spent much time working with them.

  1. Registration of your works. This comes in many levels but the first is at membership registration. Though in many times the process takes up to a months time to become a member, the organization organizes for you a personal indentification code or what they call IPI/CAE codes. These help to differentiate Musician ‘A’ and Musician ‘B’ in the database.
    Secondly after becoming a member, the next process will be to register your works (compositions or Sound Recordings) and this helps to create and identify features on your works called Metadata. These will include information on your works such as track titles, composer, author, label, Producer, publisher, track duration, year of release and splits incase the song was created by many contributors. All this information helps then to assign a standard identification code; International Standard Musical Works Code (ISWC) for Compositions while International Standard Recording Code (ISRC) for sound Recordings/Masters.
    All these help you to be identified as the rightful owner of these works when they feature on the Global Songs Database. Now you see that you can easily be identified as a musician globally because of the CMO? Some user apps like Shazam use this metadata to present to you the song identifying service.
  2. Catalog Administration. These organizations are able to administer over a vast Catalog starting from that one track you have so far to even tens of thousands (if not Millions) of songs and to time immemorial. When also Administration this catalog they will help to generate music consumer insights and reports which you can acquire at your discretion in order to know your local audience. In what I know atleast UPRS is growing from using Sample techniques of gathering user information to use scientific or technology enabled reporting. Thanks to Fezah Monitoring App that has improved this through the Partnership they had. In another way, you can also play a big role of providing such information through SetList submissions. Since most of you perform your own music, I think you have a task of updating UPRS on what stages you have Performed on so that they follow up on those licenses.
  3. Music Licenses. Every CMO has a task of licensing and Collecting Royalties on behalf of the members. These royalties are generated in many ways including; Blanket Licenses, Performing royalties(radio, hotels, lounges, bars), mechanical Royalties (Distribution and renting of songs, streaming and downloads) and Synchronization Royalties (for videos in adverts, films, Documentaries, TV shows and social media).
  4. Reciprocal Representation. Local CMOs under CISAC (International Confederation of Music Societies) do sign agreement with societies in different countries/territories to represent the other. That means that if UPRS signed a reciprocal agreement with COSON, they will both administer each others catalog in that territory and actually collect Royalties accrued if your music was performed or broadcasted in that country.

To conclude this, local CMOs play a vital role in effectively administering over your musical works despite a few hitches that come with the management and Administration of these organizations.
To my side, I think it is much safer to always first register your works in a CMO of your birth/resident country. I know that tech can now enable us to just skip the local CMO to register with the one from another country but also know your target audience first. In many ways, your songs will get much audience from your local fans and it will mean a lot when you start with your large audience, because that’s where CMOs can collect for you much revenue.
Lastly, I wish to educate, inform and skill more musicians and professionals on how we can grow and sustain our ever-growing African Music Industry through a book series “THE MUSICPRENUER” that am writing. Sooner than now wait for my first Book Edition starting with “Understanding Uganda’s Industry and Music Markets.”

About Author:
David Tayebwa is a Ugandan musician (Guitarist), advocate, music tutor and African Musicprenuer. He is the Founder of Opus Music Holdings Ltd (a music Publishing, Record Label and Music Royalty Financing Enterprise) and a Music Copyright Expert/Music Administration Consultant.

Loading...
(Visited 1 time, 1 visit today)
Continue Reading
Loading...

Facebook

Follow me on Twitter

WHAT YOU MISSED

%d bloggers like this: