TODAY MARKS 11 YEARS SINCE HE WENT TO HEAVEN.
By DJ Erycom.
Suprisingly, Paulo Kafeero died on Thursday 17th May 2007, and today is Thursday 17 May 2018. Below is what you din’t know about the fallen legend. Please SHARE after reading.
Kafeero was born 12 July 1970 to Vicencio Nanganga and Phiromera Nannozi of Kirembe, Nkokonjeru in Buikwe District. This region is also known as Kyaggwe County.
In 1977, Kafeero began school at Nkokonjeru Demonstration Primary School, and went on to Ngogwe Baskerville secondary school, walking the four kilometres there each day. In the same year he began school, his father left the family. Because of his mother’s opposition to his interest in music, he went to stay in the nearby village of Masaba with his older sister Grace and her husband. Grace’s husband intermittently paid his school fees after his father’s abandonment. With no secure source of school fees, Kafeero did not finish secondary school. He earned money by making bricks, cultivating beans, selling used clothes, and tailoring. Kafeero’s father gave no further support and had no contact with his son until he became famous
As a child in the village, Kafeero was interested in music. He joined the primary school choir, but was dismissed by the choir director for being too quiet. When Kafeero learned of a neighbour in Masaba who owned a guitar, he became a regular visitor and learned to play. His mother was virulently opposed to his passion for Kadongo Kamu, afraid he would waste his life in useless pursuit. He would gather the stems and fibres from banana plants to create stringed instruments, which his mother would destroy. He eventually pooled resources with his sister’s son to buy a four-stringed guitar from the neighbour who taught him to play. He would interrupt his work in bean gardens to listen to Radio Uganda’s Kadongo Kamu show, featuring the stars Dan Mugula, Fred Ssebatta, Christopher Ssebaduka, Fred Masagazi, and Matia Luyima, most of whom eventually came to work with or for Kafeero.
In 1987, when he was sixteen and still in Masaba village, he founded his first musical group, the Pluto Boys. In 1988, he travelled to Kampala in hopes of joining a Kadongo Kamu group. By 1989, he was singing with Makula Guitar Singers with young stars Livingstone Kasozi and Herman Basudde. Kafeero wanted to lead his own group. He formed Kabuladda Dramactors, which he dissolved to start Kulabako Guitar Singers in 1992 with his sister Nantongo, his wife Nasuuna Mariam, Ssekate Charles, Nasanga, Bukko Brite, Namata Immaculate, Kizigo Sarah, Musange, and Kizito Misambwa. He led Kulabako Guitar Singers until his death.
Kafeero became a household name in 1989 when he released his first album, Muvubuka Munange. This immediate hit was followed by: Abatunda eby’Okulya in 1990; Ekijjankunene III in 1991; Temukyagasa in 1992; Kiwenenya Amazina in 1993; Ebintu by’Omuko in 1993; Tulera Bilerya in 1993; Walumbe Zaaya in 1994; Obutamatira in 1995; Ekyali Ekintu Kyange in 1996; Gwe Musika in 1996; Dunia Weraba in 1997; Eduma ly’Embaga in 1997; Omwana w’Omuzungu in 1998; Baabo Bagambe in 1999; Nantabulirirwa in 2000; Kampala mu Kooti in 2001; Dippo Naziggala in 2003; Bamutalira in 2005; Olulimi Lwange in 2005; and Nsonda Nnya released posthumously in 2007.
While still very young, he achieved a place among Kadongo Kamu icons Kasozi, Jimmy Katumba, and Elly Wamala. In the tradition of Ssebadukka and Basudde, Kafeero remained loyal to the essentials of Kadongo Kamu. After the early deaths of most Kadongo Kamu stars, he battled Fred Ssebatta for the kingship of contemporary Kadongo Kamu. He declared himself “Prince” at the height of his rivalry with Ssebatta who had declared himself “Lord.”
He was respected by colleagues as a favourite of Ugandans who appreciate grassroots, original, message-driven music. With his deep understanding of rich and ancient Luganda, his songs maturely and innovatively address social issues. His lyrics are marked by unexpected contrast and humour, often laid over characteristically Kiganda rhythms. He constructed his narrative songs around the quotidian problems of ordinary people, weaving into his long epics the traditions and lessons of his culture.
Popular Ugandan music promoter and top disco jockey – DJ Erycom explains that, Paulo Kafeero was unique among Kadongo Kamu musicians in that he composed, sang, played guitar and dramatised his music on stage. Kafeero was a multi-talented versatile musician whose music touched every generation upto date. Keeping himself thin and smartly dressed, he successfully maintained the image of the young boy who had appeared on the musical scene at age eighteen. His melodic voice, charming stage presence and vivid costumes, combined with his meaning-laden narrative songs crafted in his beloved Luganda, endeared the star to most Ugandans in whose hearts he remains. His song Olulimi Lwange, which explained how people across the world embrace their culture, is loved throughout Buganda and Uganda. He composed this song to educate youth on how to build their future.
Early 2006, DJ Erycom remixed most of Paulo Kafeero’s songs so as to ensure that they could be played in most happening places such as Clubs, Bars, Beaches and places where people gathered in big numbers.
At his death just before his thirty-seventh birthday, in Mulago Hospital in Kampala, the out-pouring of grief from across Uganda, and from Ugandans around the world, confirmed his esteem. In the weeks after he died, stories about his life and death doubled the sales of Bukedde, Uganda’s only Luganda daily newspaper; Bukedde’s sales were the highest since its founding in 1994, beating the New Vision, the leading English daily paper. Hundreds of thousands gathered in Kampala for his requiem mass at Christ the King Church and his viewing at the National Theatre. Music shops, vendors, and radio stations played his songs almost exclusively for weeks. Police and military unsuccessfully tried to control the throngs and traffic at his village funeral in Masaba. On 19 May 2007, officials from both the Ugandan national government and the Buganda Kingdom witnessed his burial, with his guitar, a few yards downhill from his first, tiny, three-roomed, cement house. It should be noted that Paul Kafeero never formed Kabuladda because right from Makula Guitar Singers he formed Kulabako.
Just as Kafeero established himself as an artist dedicated to the traditions of Kadongo Kamu, his lyrics and lifestyle established him as a man grounded firmly in the family and community traditions of the Buganda Kingdom. While he spoke fluent English, he composed and sang only in Luganda, the language of the Baganda people, which is spoken predominantly in Buganda (central Uganda). His great love and respect for his language is evident in his song Olulimi Lwange. His songs reveal his social cosmology and unabashed promotion of his heritage. Like many traditional Ugandan men, Kafeero had deep and permanent roots in his village, where he insisted his children be reared, while maintaining a lively business life in the capital city Kampala. In 1987, when he was sixteen, he used the earnings from three years of odd jobs to buy a plot of land in Masaba, on which he built a thatched house. He bought this land with the currency of the government of Milton Obote because, while Yoweri Museveni overthrew the Tito Okello regime in 1986, Museveni did not replace Obote’s currency until February 1987.
Download Kafeero Music Here https://goo.gl/QYNxSy
Kafeero had his first child when he was eighteen. In 1989, Simon Peter Kafeero was born in his mother’s home in Mbiko in Mukono District, but when he was eight years old, he came to Masaba to live in his father’s first cement house. In 1990 his second child, Nagawa Elizabeth, was born in Masaba to Nambi Josephine. In 1994, the couple had another child, Kafeero Benedict Dube. In 1992 his third child Thomas Kafeero Schwarzeneggar was born in Nkokonjeru to Kulabako singer Nasuuna Miriam, with whom he lived while in the city. Immediately after his death, other women claimed other children as his. This number of children, unclaimed by a man fiercely proud of children and unafraid of children outside of legal marriage, is probably more a marker of his fame than of his fertility. But he does seem to have acknowledged only the children whose mothers released them to be raised by him. Well known in the city were his childless wives Grace Mukanga and Robinah Namatovu. The public remains curious about Kafeero’s marriage to American Kathryn Barrett-Gaines, immortalised in his song Omwana w’Omuzungu, written before he met her, and in their duet Baabo Bagambe. Barrett-Gaines still lives in the home they shared outside of Kampala, and looks after his sons. She has translated and published his entire body of work in a book published by Fountain Publishers in Uganda: One Little Guitar: The Words of Paul Job Kafeero. True to his traditional beliefs, he married only one wife, Nasuuna Mariam, in a traditional ceremony, and he married no wife legally.
On Thursday, 17th May 2007, this Legend was announced dead after undergoing treatment in London for over 4 months. During those four months, the Late Paulo Kafeero managed to record his last album titled “Nsonda Nnya” that includes songs like Olulimi Lwange, Kudayo Bukunja, Ebisigala Byabaffu, Tukole Mpola amongt others. This album was 80% recorded in London by one Sam Kad, who happened to be one of Kafeero’s best guitarists of all times.
You can get this full album by clicking on this link https://goo.gl/QYNxSy
During his time, Kafeero won himself international awards from South Africa, Egypt and USA. In 2004, The government of Egypt rewarded Kafeero with honors and later in 2005, the Government started using Kafeero music as a simpler way to teach students about the BANTU SPEAKING PEOPLE.
Before he died, Kafeero was awarded an international award for the GOLDEN BOY OF AFRICA beating many African legends.
Some of Kafeero’s greatest HITS of all time include:
Ekijjankunene, part III
Ekyali Ekintu Kyange
Kampala Mu Kooti
Eyali Amanyi Okupanga
Riham Uganda continues to support its community
Kawempe based Riham Uganda has continued to undertake its corporate social responsibility by reaching out and assisting the people in the communities it operates in. This has been going on since the company’s inception.
The company has reached out to communities in different parts of the country and has left an impact through extending a helping hand in different ways such as; building classroom blocks, providing educational material, contributing towards the fight against nodding disease, supporting children with disabilities, sports, protecting the environment, among others.
It is with this background that Riham came through to support various charity events last weekend. The Green Festival and the Fast and the Furious swimming gala with the Dolphins Swimming Club. Through participating in the Green Festival, children are encouraged to conserve the environment to ensure a green future for themselves. The festival happens annually and this year it was at the Kololo Airstrip and it attracted a great number of children who each got themselves a tree to take back home or to school and plant. This is aimed at teaching the children how to be responsible about their environment.
In the sports, Dolphin Swimming Club hosted the Fast and the Furious swimming gala at GEMS Cambridge on 1st September. The club is the most acclaimed swimming club in the country and is also home to champions and record setters. Riham has been extending it support to the club since 2014. This year, Riham contributed UGX 8 million for the gala and also awarded the best performers of the day.
New DStv Now apps for big screen viewing
Three new DStv Now apps have been added for lean-back viewing on big screen TVs. These apps make it possible for DStv subscribers to turn any TV in their house into an easy-to-use DStv hub without the need for a decoder. 17 August 2018: DStv Now, the internet-based service with live sports, live TV, shows and movies on Catch Up, is now available via three new lean-back apps. These apps make it possible to turn any TV in the house into an easy-to-use DStv hub without the need for a decoder. The new apps are available for the following devices: * Samsung smart TVs (selected models from 2015 onwards) * Apple TV (4th generation & newer) * Media players running Android TV (Google certified devices only) Apps are also expected to be added shortly for additional brands of smart TVs. DStv Now was launched in 2014 and originally conceived of as a mobile-first product, with apps for Android and iOS smartphones and tablets.
Over time, however, new usage cases have emerged such as providing an easy way get all of DStv content on to TVs not connected to a decoder. DStv Now is available free to all DStv customers (the specific content available is linked to the customer DStv package. With DStv Now, two different streams can be viewed on separate devices simultaneously. This means a single account can be used to watch TV via a decoder in the lounge, a movie on a tablet in the bedroom via DStv Now, and sport on another smart TV using DStv Now. It is also a great way for kids who are away from home to get the most from the family DStv subscription.
DStv Now is an OTT internet streaming video service. It is ideal when used with a high-speed uncapped home internet connection or anywhere with free WiFi access. Data usage may be charged by the ISP or mobile network.
How to get the most out of your Business Relationship Manager
By Malik Isabirye Zazak
One of the most important aspects of any business is the relationship between the business and its customers. No business has survived by having a poor relationship with its customers.
Whether you run a large company with hundreds of employees or a small business that knows all of its customers by name, the relationship a business has with its clients will always set it apart from its competitors. Most businesses spend so much time, money and effort trying to acquire new customers and forget to nurture the relationship they have with the existing ones.
In order to be able to meet specific customer requirements, businesses now need to employ Relationship managers (RMs). These are professionals who work to improve the relationship between the customer and the business. RMs work to improve customer relations, provide customers with meaningful business solutions, guide customers on business matters and can make the difference between whether a customer maintains (and expands) their relationship with a business, or not.
In the context of a financial institution, customers can benefit a lot from Bank relationship managers with the right attitude, skill set & knowledge. Below are some considerations to make when assessing if you are getting the best out of your RM:
• Your RM should be conversant with your industry, competition, short & long terms plans. It is important that the banks representative understands your current position and future aspirations in order to advise your appropriately on matters of strategy and financing options.
• A customer or business could gain a lot from a relationship manager’s knowledge in aspects such as; market trends, treasury bills, lending rates, forex rates, industry performance, business expansion. Make sure you are getting as much information as you need.
• A relationship manager will provide a customer with basic guidelines on how to protect his or her business from competition. S/he should carry out a periodic review of a customer’s business to help the customer understand where his or her business stands – stocks (can a customer quickly generate products), tax policies, short term financing, yield enhancement among various other things.
• As a customer, you will need a relationship manager who will give you not only a good yield on your investments but also a person who is efficient, available and responds to your calls or requests on time.
Regardless of the service you seek, it is important that the service providers work with you at various levels – giving information to help make decisions, analysing business activity and working with you develop strategies that will help you grow your business.
The writer is the Head Multinationals and Large Corporates dfcu Bank
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